Phile audio software12/2/2023 Likely if anyone has a request, you can bring it up on Spotify and play it.Īlso note that while Spotify and Pandora. That is a way to keep the music flowing without the need for much monitoring.Īlso, the selection of music on such streaming services is HUGE. ) and it will stream a random selection of music from that genre. You can create long Playlists, or, unless I am mistaken, you can pick a genre (jazz, blues. One option is to Network Stream using services like Spotify and Pandora. Then, how do you prevent the marginally employed teenagers working them from putting on DEATH METAL? Though there is certainly room for a range of music. People making and serving coffee and food, probably aren't in a position to keep fiddling with the Music. Then who is going to control the music, and I'm think along the line of a DJ here just to illustrate what I mean. Then we come to BUDGET? In Japan, they spend MANY thousands on the equipment and thousands more on content. So, some sense of the actual room size is critical to the equipment. Given what I know of the UK (which admittedly is very little) what you consider a large room, the USA would consider a modest medium room. In my opinion, you need Sweet speakers, nothing to bright.Īs the provided videos show Jazz Coffee Shops are big in Japan. But you don't need 11 drivers to do the job: I'd actually recommend something based on the basic design of the biggest full-range Danley Synergy (SH-96) such as this, which has a 90 x 60 pattern. If you add one more bridged center loudspeaker of the same type, then you've locked in the center of the stereo image and eliminated the "fundamental flaw of stereo", i.e., the 1.8-2.2 kHz perceived hole in response-for everyone in the room, regardless of their seating location. The stereo image will be there for every seat. One of the reasons why I like the big full-range multiple entry horns for hi-fi playback is that you can walk from side wall to side wall across the listening room, and forward until you're even with the (toed in) corner-located loudspeakers and get equal imaging with no changes in imaging or timbre, etc.-which also gives you maximum seating space for a commercial establishment. Most "audiophile" loudspeakers abandon this capability (wide controlled directivity), while all cinema loudspeakers must have this capability in order to cover the audience equally. If you get narrower horizontal coverage, then you'll get a point source effect, but then the sweet spot shrinks in width rather dramatically to cover only a small portion of the audience. Have you considered that one requirement is as wide a sweet spot as possible? In my experience, this will drive you toward controlled directivity designs with ~90 degrees coverage horizontally.
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